Uses Grand Central Dispatch to tap into all available processors.High-precision floating-point render in linear-light colour space.

64-bit architecture to take advantage of more than 4GB of RAM.Final Cut Pro features improved performance and efficiency with optimisations for M1 Pro and M1 Max on the new MacBook Pro.External monitoring of video with third-party Thunderbolt and PCIe devices, or via HDMI on selected Mac computers 2 Monitor full-quality video up to 6K with Pro Display XDR.Adjust ProRes RAW camera settings such as ISO, colour temperature and exposure offset using controls in the inspector.Import third-party camera LUTs and apply to source clips in the browser for use without rendering.Camera Look Up Tables (LUTs) automatically applied to footage from selected ARRI, Sony, Panasonic and Canon cameras, including ARRI Log C, Canon Log 2/Cinema Gamut, Panasonic V-Log, Sony S-Log2/S-Gamut and Sony S-Log3/S-Gamut3.Cine.

Range Check shows which areas of an image are out of colour gamut.

2020 High Dynamic Range (HDR) in libraries and projects from camera import to delivery. 709 Standard Dynamic Range (SDR) and Rec.

Generate proxy media in custom frame sizes from 12.5% to 100% of the original in ProRes Proxy or H.264.

Add and delete focus points and modify the depth-of-field effect in video recorded in Cinematic mode on iPhone 13 (requires macOS 12.0 or later).

Automatically detect faces or other objects and track their motion to match their movement with an effect, graphic or title.

Send your iMovie for iOS project directly to Final Cut Pro for advanced editing, audio work and finishing.

Import, edit and share 360° video from equirectangular images stitched together from a wide variety of cameras.

Color finale pro 2